Latest Entries »

Blog List


Complete blog list:

Currently working on several projects, and therefore very busy, but trying to get new blogs online a.s.a.p!

Upcoming blogs:

Every company needs a boffin. (Steve Jobs was above all a boffin.)

Blogs:

Illusion shows Rundowns and Prompt Books.

Callcenters 2.0

Today’s business creativity

Stage Show Ideas

3D Holographic Display

The spirit of business creativity

Next generation of theatre  magic – part 2

The dragon that saved the show

Shadow Box Illusion

The CIA manual of trickery and deception

The new ways of event marketing

Next generation of theatre  magic – part 1

Media Shifts

Magic show flow chart

Barnum’s Egress

Floating Table Display

Deceptive Base

Maslow and your product

The time awareness state of your product

Impossible Scooter Appearance

Stage Visuals

Victory Cartons Illusion

The revolution of the holograms

The new science of magical appearances in a theatre show

The magical Royne Theatre


Link to the Excel file Promptbook

(Please inform me if it doesn’t work)

======================================

Put on a stage-crew intercom headset and listen to stage manager, Mark Stevens, calling some of the lighting, follow spot and set cues for the San Diego REP’s musical production of “HAIRSPRAY.” No rehearsed action is taken by the stage crew unless they hear the word “GO” from Mark’s lips. The sound feed from the actors has been turned down on the headset so the crew members can clearly hear Mark’s directions. No talking on the intercom please.

======================================

Rundowns

When I help magicians one of the first things I always ask is if they have some rundowns for me. And: no one has. Rundowns are a line-up of all the basical things you need for your act. Everyone needs to have that!I find it completely unbelievable if a magician doesn’t have something on writing about his act. He can tell what illusions he does, but he can’t even hand me that on paper!

In my rundowns I mostly have the following things:

Rundown:

Music

Magic

Props

Notes

And that’s it. It’s nothing more than that. It’s a list of the music and magic used in your entire show. So every show could have a different rundown. I always suggest to make separate rundowns of every act. So, when a customer calls for a show you just have to connect the rundowns of the acts you want to perform and you instantly know what to do and what to bring. A shortlist of all the magic in your act. How amazingly simple as it sounds: no one uses rundowns, except the very professionals. It makes life so much easier. When you have 200 shows a year with several special request you can’t go without them…..

Checklist

After you made a rundown you complete that with your listing. A list of everything you use in your act. With that list anyone knows what magic to bring, what props, what lights…. If you can leave your bubble machine at home and how many moving lights to bring.

Many professional magicians have rundowns and checklists for every separate act, printed out in a large binder. In that way, if someone calls them tonight for a performance tomorow, they can react instantly. After agreeing the price the magician just has to take his binder, take out the rundowns and lists of the acts he wants to perform, and he is all set. He knows who to call, he knows what to prepare. Then he can get another binder for this show and fill it with the prompting sheets of all the acts. In just 5 minutes he is all set, and with the promptbook everyone knows what to do at the performance….

This is what sets the professionals apart from the amateurs!

Promptbook

This is a script of your acts and shows. Promptbooks are used in the entertainment industry for theatre plays, musicals, concerts and other large stage productions. If you have a large stage: make your promptbook!!! Also here I would suggest separate promptbooks for every act. Prompting is necessary when you have a stageshow with several assistants and stagehands. If you need people for the sound and light effects and have several stage hands then all you need to hand them is the promptbook of the show. It will tell them what to do. It makes practising much easier, your whole life gets more relaxed when you have a map with prompts.

Prompting is used in EVERY professional musical, play, circus or other type of show. EVERY!


Blocking

Blocking is the recording of the performers’ entrances, exits, moves, gestures, pace use of props, etc. against the script. This serves as a daily reference for the performers and director during rehearsals, and is a record for the moves.

For blocking you need to understand first how any stage is devided and what’s where. Also you need to know that this is from the actors point of view and not from the audience.

Downstage is closest to the audience. Large theatres have an inclining stage so that the audience has a better view.

Notation

There are two types of blocking used in theatre: graphic and shorthand notation.

These are the most commonly used symbols. Anyone who had any sort of education in theatre has a knowledge of these symbols. They are used in any theatre all over the globe.

Thus the following move:

Magician enters from upstage right, walks downstage right towards the Crystal Box Illusion, crosses stage left to a chair, and sits….

Could be shown in shorthand like this:

M EN USR, X DSR -> CBI, X SL -> CH1 + ↓

You can find symbols in Word via Insert and Symbol.

↑↓←→⌂▀▄█▌▐░▒■□▪▫▬▲►▼◄◊○◌●◘◙☺☻☼♀♂♠♣♥♦♪♫♯

Note entrances and exits, as well as the peoples relationship to the different elements on the stage. For example, when someone has been blocked to move behind the illusion at upstage right, coming from downstage left, your notation in the script may look something like “XUR-B ST.” Make the notation in the script at the point in the dialogue where the actor is supposed to begin moving.

Remember, stage right and left are from the actor’s perspective – facing the audience. Get used to having your right be stage left and visa versa. This takes some practice.

This a job for a pencil, NOT a pen. Bring either a good mechanical pencil with lots of extra lead or several sharp wooden pencils. Also bring an extra (big) eraser. Blocking often changes in the first few weeks of rehearsal.

Make sure you can read your own notes; you may be asked to remind the assistants where they are supposed to be.

Wallet Card

When working with several stagehands, aassistants, tchnicians and other crew, it is very wise to have a wallet card for any of them with contact info and what to do in an ‘emergency’. What if your stagehand is caught in traffic? What if your lovely female assistant, who you need to cut in half, breaks a leg two hours before the show? You can have phonenumbers on the card and leave some room for the info of their ‘understudy’. That way you can leave some responsibillity with the people themselves. The guy in traffic can check if another stagehand, who has a day off, can be in time. The assistant can call her understudy herself before calling you. It’s great to get a phonecall about a big problem, and hearing it’s already solved.

Stage management and Stagecraft

All these things mentioned above are part of any stage management education.

Stage management is the practice of organizing and coordinating a theatrical production. It encompasses a variety of activities, including organizing the production and coordinating communications between various personnel (e.g., between director and backstage crew, or actors and production management). Stage management is a sub-discipline of stagecraft.

Stagecraft is a generic term referring to the technical aspects of theatrical, film, and video production. It includes, but is not limited to, constructing and rigging scenery, hanging and focusing of lighting, design and procurement of costumes, makeup, procurement of props, stage management, and recording and mixing of sound. Stagecraft is distinct from the wider umbrella term of scenography. Considered a technical rather than an artistic field, it relates primarily to the practical implementation of a designer’s artistic vision.

In its most basic form, stagecraft is managed by a single person (often the stage manager of a smaller production) who arranges all scenery, costumes, lighting, and sound, and organizes the cast. At a more professional level, for example modern Broadway houses, stagecraft is managed by hundreds of skilled carpenters, painters, electricians, stagehands, stitchers, wigmakers, and the like. This modern form of stagecraft is highly technical and specialized: it comprises many sub-disciplines and a vast trove of history and tradition.

There is a lot to find online about stage managing. Managing an illusionshow is very different from managing a musical. Circus and entertainershows need a specific kind of managing that is almost never taught in any course. So if you tend to get an education or take a course: be sure to check for what kind of play it is mostly targetted on!

I hope you found this an interesting reading. Want to know more? Anything to discuss? Feel free to let me know!

http://evillusion.org/contact/

callcenters 2.0


While mail was the communication of yesterday and the internet still the medium of tomorow, the good old phone is still the medium for business communication. Internet and multimedia is used for all sorts of propaganda but we are still used to grab the phone for direct contact. But they have become factories where customers are annoying and need to get rid of as soon as possible. The magic is gone.

Every phone call is a direct contact for a business with a customer. Your customer. When you don’t have a shop or showroom where they walk into, it is the only way to talk with them. And once you have them on the line you can simply ask them how they are doing, if they need any help or are just looking around… It is a great way to not only help customers with problems. It’s also the perfect opportunity for every business to show your services and your goods. Perfect selling is not persuading people to buy a product they don’t want. It’s making sure that they get to see what you have, showing the things they might want, and if they aren’t sure about that, offering something, a demonstration or a price discount just for them, making sure that they would want it. Helping them shopping. Tell me what you need and I will see how I can fulfil those needs…. And because of bigger and more competitors you might think that business would prefer to provide a good service to their customers, but most of the time in callcenters you see exactly the opposite. Callcenter agents are trained to use a script, ask the same questions in the same order to be sure they don’t forget anything. But hey, when I call a business I don’t have your script. I don’t know what your questions are and I want to have a conversation about my problem or whatever I want. Many business have scripted the ‘business proposal’ at the end of their script. The agents have to tell you about some good deal they have for you. But every call I had with a business I had to say something like this at the end of the conversation: ‘no thank you… like I said no thank you…. No I don’t want your fuckin’ upsell thank you….’ And that is because every time because of the script they didn’t find out what my needs are. They didn’t get to know me, ending up in an offer that would be great for the company but completely not for me. And it is also not like on the market or in a real shop where you could negotiate about any proposal… “No I am not interested in your whole proposal, however I like ‘this part’. Can we make a deal about that?” If you own a business you know perfectly what I mean. It’s negotiating into something that’s good for both parties. You don’t even have to try that when talking to a callcenter agent. Either you take the offer you hear, or you have to say no three times before they stop telling about it. It’s like being in a shop and the owner only wants to show it’s masterpiece. Their main product, and the rest in the shop doesn’t matter. Buy this or get out…. And don’t even think about calling with two or three questions. Or when having a problem that involves more than one department. You end up in a loop that you will not be able to get out of….

Callcenters are booming business. No more offices to visit. Just a phone number. And the person you get on the phone might be everywhere on the planet. Many American companies closed their callcenters in the U.S. and opened new ones in India where they found millions of cheap English speaking workers. In Europe many callcenters went to Ireland. The result of that is that calls can indeed be handled cheaper, but someone in the Philippines has a very different view of the world than someone in the U.S.A. And therefore sales, upselling and cross-selling, are being scripted and dropping drastically because of the difference in reference, perspective of their world. What’s hot in Los Angeles might be not in Manila. And what’s hot in Manila might be long gone or never heard of in New York. Cutting down on costs isn’t everything. Cutting down on wages by taking that to India or Thailand might be the worst thing to do if that results in loosing understanding of your customers. When your product is good, people are willing to pay for that. Imagine having a cable tv company with customer service that’s a lot better than all the competitors. When people call your company with a problem they know it’s solved without any ongoing problems. I can asure you people are willing to pay a couple of dollars per month extra for that. Without any questions asked. Or your company sells car insurances. But your company is known for its fast and correct help when customers need it. I definitely would go for that, and pay for that. We know that service costs money. And not everyone wants to go for that, some people just want cheap, but just as much customers just want to be taken serious. We want to be taken serious if we pay for a product, any product. I don’t call a customer service to say how I like the product. I call when I have a problem that needs to be solved. When it doesn’t get solved I tell all my friends about my bad experience. But when I had this amazing experience, when my car insurance helped me out so perfectly, I tell my friends friends to go there next time they need to insurance a car, even if its more expensive. It’s worth the extra money….

Also most people go for the average price if they want something. Check it by yourself. You go into a store and you know you are not going to buy the cheapest camera, but also not the most expensive one. You go for a perfect one that is about the average. Then check how much companies already know this and put an over the top expensive camera at the end of the line. Some professional thing that no one would buy in their store, but it raises the average price. If your company has the lowest price for gas or electricity, mobile phone, internet or cable tv, then I can assure you that most people will hesitate buying your product. Everyone knows that if your price is below that of all the others, then you must get your profit some other way. Humans are capable of thinking so we get the feeling that there’s something that’s not told when your product is the cheapest. It might be a perfect thing to raise your price until you are below average. Discount-shoppers can go to your competitors. You want the ‘average’ people as your customer. That also means that your service has to be better than that of your competitors. Entertainer do this as well. It is fact that the magicians with a higher rate get more performances than their cheapest colleagues. So this is the part I don’t understand lately with all the commercials and advertising. Many companies state they are the cheapest in their field. When I am grocery shopping I look for the perfect balance in price and quality. Most of the time I don’t choose the cheapest product. When I buy something for the first time I simply don’t buy the cheapest, and I would be crazy if I buy the most expensive one…

For business contacts in call centres there’s a golden rule, called the 80/20: 80% of all calls are about 20% of the problems that could occur. So 4 out of 5 questions involve the same 20% of answers. This makes these questions very easy to transport to a callcenter somewhere else on the planet. You can train people very easy to answer these couple of questions. But what about the other questions? Where do these end up? These end up as an order, task or email to some sort of backoffice. It’s these questions, these calls, that could make the difference. Just imagine how nice it would be calling up a company, getting a callcenter agent on the line who notices that he or she can’t solve this problem, and hearing him say: “I will put you through to a colleague of mine who has more skills and will be able to solve this problem for you…” And then indeed you get a person on the line who knows how to solve your problem and does it straight away. Recalculating, making it right…. Having a human on the line who understands your problem. The backoffice not being a bunch of people who are not reachable but real human beings that you can talk with. A backoffice made of people who are capable of talking to their customers, who listen to what the problem is, and who assures you he or she will solve everything right away. Someone who listens to your situation and notices that the company has products or rules that could actually help you out to avoid further problems. In hard times it’s very often more smart to keep people attached to you by offering them a cheaper deal till better times arrive. A customer lost is hard to get back. Imagine having a callcenter in your city for those 20% of the questions. Redirected from India back to Europe or the U.S….

We say we love and need our customers, and yet we make them get lost in a maze of options the moment they call. “For a question about your bill press one…. For a technical problem press two……. For a change in your products press 8….” And then another menu, and another…. How cool would it be if you call a company and you get an actual human being on the line. And that person asks how he/she can help you. That person listens and decides where to connect you to. Just like a receptionist. But here’s the thing: this ‘receptionist’ also listens to the story. If the caller is frustrated the agent can simply listen and if necessary calm the caller down just enough to do the first rescuing and saving this customer. Also it seems to be a rule nowadays that your problem is not a problem for the company. You call because you are not satisfied with the product or service. That is why you call. That is why I call them. I don’t call just to say how satisfied I am as a customer. I am calling because I want something or have an issue that needs to be solved. And my problem never seems to be in the so called script of the agents. And then all of a sudden I myself seem to be the problem. I don’t fit in the script. So what I want or need can’t be done. And the script doesn’t give an alternative. Now it depends on the thinking of the agent on how to solve the problem. And remember that 1 in 5 calls is about 20% of the answers. The people calling with one of these questions are the ones that need more attention than the others. Or more precise, they need more thinking, more knowledge to get to a right solution. What they don’t need is to be locked away in some sort of digital order for some sort of backoffice in some sort of other country. You can make a difference with these calls. Seeing it as an opportunity to make them even better fans of your products. Things go wrong. People get wrong products, bills are wrong all the time. Everyone accepts that. No one minds if somewhere in your business something went wrong. But when it is a mistake and when it has to be corrected, people want the same service, the same smile as when they bought your product. And when they call and they talk with someone who can make things right, they are more than willing to listen when you show them the rest of your shop over the phone.

And what I don’t understand is why in callcenters you can’t just see what the company did with/for this customer. The moment you send out 50,000 bills you can be pretty sure that some of those will give you a call. In every callcenter I have been to the agents can look in the history of the customer. But nowhere could they see a history of the company towards this customer. A second history that simply states when bills were sent or a brochure about a new product was sent. When they got an email, or an sms, or if they are connected to the company via Twitter or Facebook…. As a troubleshooter for some large companies this was one of the things I talked about. And some created this kind of history button. With this you can anticipate on what the customer wants from your agent when he/she calls. And you can see the relation between this person and your business. No company had a sort of timeline filled with when the company did something and when the customer called. If you could create a timeline of every customer then it would become more easy to understand and predict future behaviore. If a certain action of your company gets a certain reaction from a certain group of people then you can predict what will happen the next time.

And nowadays every large company had a department that keeps track of what is said about the company on multimedia. If a person complains about them on Twitter, these people will try to get in contact with them and will work on damage control by listening and fixing the problem. But what these companies don’t do is checking who these customers are connected with, what their hobby’s are and how they are connected with other customers.

Many social psychologists like Malcolm Gladwell explained about the tipping point, and how certain people in the crowd are being seen as example. I call them the ambassadors. They know everything about your products and are enthusiastic with telling everyone how good your stuff is. And while there is a department that tries to find the customers who are not satisfied, there is NO company that has a department which searches for their best ambassadors. These are the people who you could concentrate on when you have a new product. These customers could do so much free publicity. There are customers who are so enthusiastic that they keep track of your goods on forums. Large companies for cable and computers have lots of fansites and independent forums where other users can talk about their experiences. Sometimes positive, but also the negative ones. The negative ones get the attention of your special department, while the ambassadors hear nothing from you. These are the ones that could walk in your store, ask a lot of questions, can be very annoying, but these are the ones who buy your stuff! Why not let them help you with your magic? In my opinion every large company should have two extra companies, one that does nothing else than connecting people with people. And one that focuses on your ambassadors. Most of the time the ambassadors are also the ones that the connection department keeps track of.

Why is this connection department so important? Well if you have a customer who is complaining and you notice that a lot of friends respond on Facebook that he or she can better switch to your competitor, then you know that you have some more people to focus your smiles on. When you are trying to get this one customer happy by solving their problem, then why not take that extra step by subtly letting his/her friends know the problem is solved? Why not simply ask their friends why they prefer your competitor? If they all tell you the same thing then it’s something that you better change in your company or product….. And when you follow the ambassadors, then you can help him with helping you. Send samples, unasked. Just keep in low contact. And connect that with Twitter, Facebook and other multimedia. ‘Jim has tested our latest product for you!’ Besides that, you could have a popup of the customer with personal information gathered from the internet, including a photo. Connecting with your customer. If they have a twitter account, you can place their tweets besides your product information.

The ambassadors are the ones that you should treasure. When you have a new product and plan to have a presentation, I think it could be very wise to invite your biggest fans as well. Offer them the opportunity to touch your product. Make photographs of them with your new stuff and with your president or some hot chick for eyecandy that just demands to be shared…

What I also find amazing is that in no company the agents can mention the ‘energy’ of the caller. Is the caller upset or angry? Is it a happy talker or very serious? If the caller always reacts angry then you know you don’t have to put her on a list for outbound calling. You can better spend your time on the people who seem to be reasonable every call. Maybe have a traffic light in the program, and after every call have the agent click on one of the lights. The average will be shown on the screen next time this person calls.

And what other things does this person mention? If this person can’t pay the bill now and wants an installment or deferral for it, then you could simply ask a bit more about that. Lost his job? A student? Does the bill always come at the wrong time of the month?

If a person called 5 times in a year, have an alarm going off somewhere and have a team check the reason. If all were complaints, you know you can better do some damage controll somewhere. And if this person is after refunds every time, and therefore costing you more than you earn, then why not write a letter about how you will probably never be able to satisfy him/her and therefore will end the contract? It is business, you win some and sometimes it’s much better to loose some.

Malcolm Gladwell explains in one of his book the rule of 150. This rule basically states that when a company gets more than approximately 150 employees, it gets almost impossible to know who they are and where they work. Your brain can’t remember all that information. This would mean that your callcenter department has a much better flow and energy when it stays below 150 workers in total. When it grows larger than that, most companies make the horrible mistake of setting a certain group of people apart. There might be agents with different skills, some who also handle emails, some who handle outbound calls… And what you see all the time is that one of these groups is set apart from the rest. Every social psychologist can state that it is a much, much better decision to divide all groups and make two teams in which everything can be done. You can better divide your customers. Make it a north and south or have each have different states or provinces. And this is where that ‘receptionist’ comes in pretty handy. Asking the address and then putting through to the right group that handles the area you as a customer life in. And then your problem stays with the same maximum 150 people. It would be such an improvement if you made teams in your company. Teams of callcenter agents for inbound and outbound, backoffice, billing, technique…. All in one team. Every time like a city on its own. Maybe once a week have all the backoffice people come together for an hour and discuss the challenges all teams have. Or even better, have an instant messaging system in your own intranet network. Your own ‘twitter’-like messaging service where every employee can place messages on about things that occur. When you notice something with 3 customers there’s a big chance something is happening with more customers. Place it on the board and have others have a look at it. Make use of the social media.

The magic has gone. Companies aren’t interested anymore in the other people of the family. A simple thing like sending a birthday card on the birthday of the kids. Sending an sms to all mobile phone numbers of your customers, wishing them a happy new year…. (There are several ways of making that legally possible). And the same with email. The thing is in callcenters the customers can’t walk into a store. So make the store come to them. Use the Multi media, use the networks everyone uses and combine your product info with that of your customer. That is where the future lies in the callcenter business. It doesn’t cost much, it just takes some creative thinking…. Getting ready for customer service 2.0!

Reblogged from Hack a Day:

  • Click to visit the original post

This is a robot that any Transformers enthusiast will love. Sure, the car looks just a bit boxy, but you’ll forget all about that when you see it unfold into a bipedal robot (translated). is responsible for the creation. He pull off the build using 22 servo motors which let the car transform, and provide the somewhat awkward ability to walk.

Read more… 82 more words

Reblogged from Hack a Day:

  • Click to visit the original post

What do you have to do to win best of show at an R/C event in Toledo? Build a 7 foot long fire breathing radio controlled dragon of course! stuffed his electronics, a turbine engine, a kerosene tank, and a stun gun into a home built body shaped like a dragon. You can see a few construction pics that show how he is able to steer.

Read more… 42 more words, 1 more video

Playing Pong with your mind

Reblogged from Hack a Day:

  • Click to visit the original post

It seems and won’t suffer from the sore wrists and thumbs from an Atari controller any longer. They built a version of Pong played by concentrating and relaxing while wearing an EEG headset.

Right now, there’s only enough hardware for one player; when the player operating the red paddle concentrates the paddle moves up – relax, it goes down.

The hardware portion of the build is fairly tricky business.

Read more… 132 more words

Reblogged from Hack a Day:

  • Click to visit the original post

sent us an email to show off his latest build. Tank Wars is the beginning of a video game/robot hybrid. You control the tank via an iPad, telling it where to go and how to fire. You have real life targets, in this case another robot. When you hit your target, the interface is updated with game stats.  Currently, this is only a step past being a wifi controlled robot.

Read more… 85 more words

Reblogged from Hack a Day:

  • Click to visit the original post

Careful, this hack might foster doubts about the level of fun you’re having at you own Computer Science department. Last weekend a group of students at MIT pulled off a hack of great scale by turning a building into a Tetris game board.

The structure in question is the Green Building on the Massachusetts Institute of Technology Campus. It houses the Earth, Atmospheric, and Planetary Sciences Departments, but was chose based on the size and regularity of the grid formed by the windows on one side.

Read more… 132 more words

Reblogged from Hack a Day:

  • Click to visit the original post

Here’s a lesson in doing a lot with very little. built this hexapod using cardboard for most of the pieces. He still had the box from his vacuum clear and it just happened to have a large black area the makes the top of the beetle look like it’s been painted.

The control board is from an old radio controlled airplane.

Read more… 121 more words

Today’s business creativity


Creative business and creative management are today’s keywords in marketing. And yet despite all of the attention it gets, amazingly little is known about creative business innovations. Creativity depends on a number of things like experience, including knowledge and technical skills, talent, the ability to think in new ways and motivation. Most people aren’t even close to realizing their creative potential. All the stories around us suggest that many companies still have a long way to go to remove the barriers to creativity. More and more companies offer rewards and create a business where sales are connected to bonuses. But then most people spend a lot of time wondering about their bonuses instead of creative thinking. In fact bonuses can become even problematic when people believe that every move they make is going to affect their compensation. It seems that people put far more value on a work environment where creativity is supported. Creative business needs a deeply engage in your work to make real progress. People are most creative when they care about their work and they’re stretching their skills. If the challenge is far beyond their skill level, they tend to get frustrated. If it’s far below their skill level, they tend to get bored. Leaders need to strike the right balance. Also when people are working under great pressure, their creativity goes down enormously. Not only at that moment, but also in the days after. Creativity requires something like an incubation period in which they can soak in the problem and let their mindset get focussed on ideas and solutions. And it is not as much the deadline that causes their minds to lock up, it is the distractions that rob people of the time to make any creative breakthrough. People can’t really get creative with the possibility to loose their job if they don’t think of something good. And people are more creative as a group then as individuals. Creative business does not mean a hard or soft management style. It means a smart management style. And that means that in order to get the creativity flowing you need

Thnk University

I keep following the creative business school in Amsterdam, THNK. I see and read everything I can find. However, what I find isn’t anything creative. What is the use of learning to give a perfect presentation if you have nothing to present? What is the use of solving problems if the problems aren’t anything in the field of business creativity? Maybe I miss something. But I truly don’t see any ideas yet that I would expect from such an expensive school. It does not mean that it isn’t there. Undoubtedly the students in this school will learn a lot about how to become creative in business. One of the weirdest things, if you think about it, is that they selected people who have proven their abilities in creative business. That means they chose to educate ‘students’ who already are creative leaders, with the focus on making them greater leaders. They also could have decided to educate people who seem to lack these abilities and focus on more creative leaders, teaching leaders how to think like the most famous example Steve Jobs instead of learning people who already think like Jobs, how to think like Jobs. It’s like teaching a cat how to catch a mouse. You could also teach people to think like a cat and catch more mice all together.

Trends

There are a couple of trends lately that shape global business, like the aspirational age of the consumer. How old does the consumer want to be at a specific moment with a specific product? Some old people want to behave sometimes as little kids, and kids want to behave like adults getting more responsibilities (and nowadays more money).

Also marketers still have the tendency to see the women as housewives and target their advertising for groceries to them. But women study longer, get married later and decide to stay single because of their ambitions. And even when a woman is a housewife her husband has a lot to say as well in what to eat. People can be different targets. Kids aren’t just kids anymore. They help their parents with finding the perfect tv or new laptop. Women also don’t choose just the colour of the car anymore, but since she is also driving a lot as well she got a strong vote in choosing the brand and type of car.

There is also now a large focus on making your life easy and comfortable. And traditional phases in life aren’t so obvious anymore. Less and less people follow the path of getting married, buy a family house, get kids, the man to work and the woman doing household. People who marry seem to divorce a lot more than a decade ago. Therefore you should not attach products to this kind of lifestage. Better make it for all women and not just the married ones with kids. You also see boardgames advertised as: fun for the whole family!. But what if you are divorced and have your kid only ones a month? What if you don’t have kids but have older friends who, like you, like to play boardgames? Maybe instead of shifting to online board games, shift to the same game but in a more luxureous and adult version? Metal parts. A board game that you could place on a table for decoration, even in luxureous houses.

What if you made all your games in a luxureous version, all in the same theming? Then you could get pieces exchangable for all your games. Then you could have in stores lots and lots of different sets of pieces, specifically for you… Making it fun and being cool collecting these trendy and great looking games with personalisable pieces. You could have money packs with all sorts of currencies. And all cards used in the game with the same gold or silver back print. Making a link and connect the games, while leaving all the room there is to make it your own set of games…

The first owners of colour tv’s were the people with the lowest incomes. And it weren’t the people with the high incomes who had the first dvd-recorders or widescreen tv’s. People with less income tend to seek for products that can upgrade their life. The people with high incomes go searching for the better, professional, quality. And we see a different trend connected to these expensive emotions: people with lower income compensate with other products for a lower price. Like clothing at discount stores and waiting till the shoes they want are on sale. So on the one hand we have these people buying expensive and trendy products, and on the other hand they want their food and clothing as cheap as they can get. That is one of the main reasons why shops with middle priced products have such hard times. If you want to earn money you can best either sell the latest products at high prices or sell other consumer products with the price as low as you can make it. That’s why in Holland a store like Action is skyrocketing, being in low section, and V&D, in the middle price segment, is doing worse every year.

Also nowadays people are more focussed on theirselves. They share their lives on Facebook, chat with people they never met, and they want to be left alone in real life. People are convinced that they can decide themselves what they wear, what they buy, and what they watch on tv. With that they want products that fit their lifestyle. So they want groceries that strengthen the way they behave. There is also a lot of food available for the individual, like the ready meals for one person. But other businesses like cinemas, museums and amusement parks still tend to target all their advertising to families and people who come with friends. As an adult individual you are very often forgotten.  But if you have ever been to a museum all by yourself you know how nice it is to soak it all in without anyone nagging that he or she needs to go to the bathroom or demanding a coffee to relax.

Another big trend lately is that people want to experience and experiment. The 3D movies are a good example in this trend. The entertainment industry seems to slowly but progressively understand that we want a play, show or musical come off that stage and make them interactive. We not only want to see and hear anymore, but also smell, touch and feel the magic.

Although a bit contrary with the experience-trend, people love and prefer to experience in their own comfort zone. There is always a tendency to look back, nostalgia, like it was better years ago. And we feel safe on our own couch. Watching tv, laptop or tablet on our lap. Not going outside but contact the outside world via our media. That’s how we love to spend evenings at home.

While we don’t want to share in real life, we have the tendency to share everything in our digital lives. We want everyone to see the photos of our trip to the museum with lots of story attached and replying to every question. But when friends ask you in person how the trip was, they get just the simple ‘yeah it was great!’ . Sometime followed by the killer of all conversations ‘I have it all on Facebook’. We used to be able to tell with enthusiasm to our friends how we had such a good day.

We want the same with growing easy and speed. Save time, spending time how we want it and doing things when we want to. No more time for a good breakfast but a quick snack while driving to work. Meals already prepared and just to warm in the microwave. Vegetables already washed and prepared. We buy more and more online. It’s easier, more comfortable, faster…. And we can shop for the latest furniture while we have our plate with dinner in front of us. But what we can’t find convenience for our workout. It takes time to get there, going out in the cold or heat, then train, shower while not at home, driving back home at night….

And yet anything attached to health is good business nowadays. Fast-food chains sell more and more vegetarian and healthy foods only because there’s a market for it. And we already have  convenience meals but now we also see more and more healthy convenience foods.

Swedish style

One of the business that isn’t doing well lately is Nokia. Especially in the Asian countries where there are more gadgets than people, these people seem to avoid Nokia. And the company has no idea why. But standing in any phoneshop you should be able to notice it in 5 seconds. When you look at all the phones the Nokia’s don’t stand out. They are not special in any way. I always was a fan of Nokia. Their older phones were robust. Metal. They looked expensive, professional. And most importantly: cool. It was the brand any businessman wanted, needed to have. And now all that exclusiveness and coolness has gone. If you are a businessman then a Nokia is by far the phone to have. When you are a cool gadget guy, then you don’t want to be seen with one of their phones. It’s like the company is runned by 60 year old seniors who have no idea about today’s digital and online world. And definitely no idea about trends. Oh, the things someone really creative could do in such a business. One dragon-thinker (The Dragon in business) could save this company.

Imagine having a phone that always knows where it is, what time it is, and that you can tell where you will be at a certain moment in the future. And it also knows where other phones (your friends) are and will be. And with just one simple button you can lock the location where you are now, name it, make a photo of it, and save it for your future. You see an accident, call 911 (or here in Holland 112), the dispatch has software to take over the camera, that’s recorded for future reference, and the dispatcher can see live what the situation is and react accordingly. But it also knows where you are. For you the phone is like today’s navigation system. It can show you where the nearest cash machine is, what restaurants are in your area and where the nearest bus station is. When near to the train station it shows a pop-up and asks where you want to go, resulting in the platform and time for the next train. You can make plans to meet in town to go out with friends. And all you need to plan is the time. You go to the centre of the city and you see where your friends are…. And all your friends have this same brand of phone. All professional, metal phones in trendy colours and very cool to have.

On Stage

Stage Entertainment is one of the biggest names in musicals and theatre. Their list of productions is impressive. So take a look at their website by clicking on their logo:

Remember, the thing they ‘sell’ is theatre. Grand scale musicals. You would expect to see video’s. You would expect to get a feeling about their musicals, feel their energy, feel a connection with the characters… But all you get to see from any production is 30 seconds of flashy promotion and a couple of small photos. Before the crisis that maybe was more than enough to get all the seats filled. But nowadays maybe you need a bit more for that. Musicals are expensive. So before you decide to spend a couple of hundred dollars you want to be sure it’s well spent. Why not turn it into a dragon? A look behind the scenes in videos? See the actors in their costum in close up and talk about their role on Youtube? Stories on Facebook? Tweets about how exiting it is just three weeks before the show with added photos of rehearsals? Create a buzz….

Virginity

In case you wonder what new music comes out, if your band or singer has any music planned, and what Virgin does to let you come back:

: Stay tuned for more releases.

But isn’t this the place to get fans attached to you? Like a cliffhanger in series. The people who click on your site should have to have an excuse to come back. Not only to become interested but also stay interested. They can get your cd’s and dvd’s anywhere. But there’s only one Virgin Records website.

You can’t click on a button to follow them on Youtube, Twitter or Facebook. Like it’s run by a group of grumpy old men who have no idea of this recent multimedia age and still believe that people will buy their cd’s because of no alternative…

The news page is a listing of press releases. No pictures, no music, almost no links…. Just text.

Music companies used to have a steady income in 2 ways; sales of cd’s plus dvd’s, and performance rights.

That used to be enough for them, and they didn’t even have to do anything for it. People would buy the cd’s of theirs stars. And rights were controllable. But then the internet came, with youtube and programs for easy sharing of music. There is a recession now, so that people simply can’t afford paying for the music they want. And it’s still 100 times easier to download music illegally than with any paysite. I don’t know if you ever even tried to buy music online? Most don’t come any further than trying. It should be very easy to go to a music site, click on the song that you want, put that song in your basket, and when your basket is filled with a couple of songs buy them, just like books or clothing. Only these songs that you want. For a reasonable price. Not a complete cd. And by no means not even a cd. The first thing I do when I bought a cd is rip it into my pc. I have all my music there. I can make playlists, make folders of ballads or jazz…. I can do with the music whatever I want on my pc. And I am allowed to because I paid for the music. But nowadays who walks around with a discman? Who uses cd’s at a party? Most use some sort of digital device for that. But a Free Record Store is still filled with good old cd’s. How cool would it be to walk in a store where there are no cd’s but a large bar with laptops on it. You can click in your own headphone or use a very professional one hanging above the bar. And on the laptop there’s a program in which you can listen to all latest songs. You can put them in the basket and then you decide how you want to collect them. Maybe you have an iPad, a tablet, an mp3 player, a usb-stick, or maybe you want that old fashioned cd? The salesperson behind the bar can arrange it all for you. You can pay like in any store and after you bought the music you want, have it on your mp3 player, you can relax by listen to more music that you can put in your wishlist because you logged in, while zipping your Italian coffee. This is how cool it could be buying music. Let people listen to the songs, have them select songs, pay a good price for it, and while they relax and enjoy their coffee offer them other things that might interest them. Recordings of live concerts on a big screen with perfect quality sound from speakers in a closed area. Just walk in an feel like being there. And you can select concerts via a touchscreen. Is there a concert that you want to own then log in, put it in your basket and before leaving login at the bar and let the barkeeper get the dvd for you. And since it’s a music store, why not have live connections to concerts around the globe in a special hangout area. You can reserve a seat and be semi-live at the concert on a big screen with Dolby sound. How cool would that be?

Oh, I could go on for hours and hours with ideas for every kind of business. The problem is that most of the time I am a bit ahead, and thinking too much outside of the box for most companies…. Ahwell….

Want to know more? Want to discuss this subject? http://evillusion.org/contact/

About me


Erik Visser has worked as a consultant and troubleshooter on projects for Dutch companies like Aegon, Agis, Postbank (ING), De Efteling, Nuon, Drievliet, UPC, ASR, Belastingdienst, Walibi Holland, and currently Ziggo. Besides that he is also a well known consultant in the magic and entertainment business. Not only as a designer and builder of theatrical stage magic, but also as a scriptor for magic shows and as a magicians coach. He has had education and trainings in subjects like Problem Solving 101, Bodylanguage, Brainwashing, Excellent Negotiating (Harvard method), Event organisation, Entertainment Marketing, NLP, Showmanship…. He is most wanted because of his thinking outside the box. That also proofs to be very usefull for new projects where there isn’t a box to begin with. In his mind a table doesn’t necessarilly have four legs, a room doesn’t have to have a door in order to get inside and problems are not seen as such but as results that can be changed into whatever you want. Often said to be a ‘one man think tank’. Feel free to challenge him on a no cure no pay base. Challenge him with whatever your problem is. But we warn you: many times his solutions have been completely different of what you were thinking of and he may surprise you with answers that are often so simple that you wonder why you haven’t seen that before…..

His biggest problem for finding new projects to work on is that his mind truly is ahead in time from everyone around him. It is very hard to convince people of something that is not there yet. He is also looking for sponsoring to get his ideas for holograms, augmented reality and marketing magic into reality. If you are a large entertainment- or marketing business he might be just the mind for your team.
If you have a problem, and you don’t know where to find the answers: maybe you can hire EVI….

Magic Coaching and Consulting:

Patrick Defesche, Christian Farla, Ravini, Masters of Magic, Rafael Cronodark, Hans Klok…

(Magicians in Holland, Belgium, the U.S., India, Brazil, Germany, Nepal, the Philippines, Canada, South Africa…)

Business consulting and Troubleshooting:

UPC, Nuon, Aegon, Cendris, Agis, ASR, many other small companies…

Rundowns, scripting and show consulting:

Patrick Defesche, Christian Farla, Walibi World, Efteling, Drievliet, Phantasialand, Cirque du Soleil…

Follow

Get every new post delivered to your Inbox.

Join 35 other followers